“Thank you for bringing us the Sam/Bobbie O’Steen Masterclass. It was such a breath of fresh air, so so good. I’m in the middle of cutting a show for Amazon and it was a timely infusion of great craft and energy in the current madness - a reminder of where we have come from and The Greats who have brought us here. I’ve been thinking about it every day since. That’s the beauty of legacy.”
- Editor Stephen O’Connell (Dublin)
“What a masterclass that discussion was about Dede’s work. I also truly believe I continue to become a better editor every time I dive into your discussions. Thank you for always shining a light on our craft, but also on Dede’s work."
- Editor Myron Kerstein, ACE (In The Heights, Crazy Rich Asians)
MASTER STORYTELLER SPONSORS
TECHNOLOGY SPONSORS
Sight, Sound & Story 2019: Behind the Lens with Cinematographer Dean Cundey, ASC Part I from Sight, Sound & Story: The Art of Cinematography 2019
Editor Bill Henry, ACE, Discusses a Complex Table Scene from "Succession" from Sight, Sound & Story: Inside the Cutting Room of Succession with Bobbie O'Steen
The Cinematography Behind the "Red Wedding" Episode Explained by Rob McLachlan ASC, CSC, from Sight, Sound & Story: The Art of Cinematography 2018
Legendary Editor Anne V. Coates, ACE on the Famous "Match Cut" from "Lawrence of Arabia" From Sight, Sound & Story: Post Production Summit 2016
Editor Dylan Tichenor, ACE on Shaping a Quiet Scene in "There Will Be Blood" From Sight, Sound & Story: Post Production Summit 2017
Editor Michael Kahn, ACE Discusses the Most Difficult Scene to Cut from "Raiders of the Lost Ark" from Sight, Sound & Story: Post Production Summit 2014
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